Read here the thoughts of Alexander Rinnooy Kan: The City of Unplanned Energy."We are a terribly long way behind London and Paris.”
‘I don’t know anything about cities,’ is Alexander Rinnooy Kan’s cautious opening. But that soon proves to be an understatement. Rinnooy Kan is a man with a vision. He thinks of himself as a lover of the city and he finds it difficult to imagine a life without it. What is important for him is the intellectual and cultural innovation generated by cities. ‘People can meet each other there, stimulate and motivate each other. The economic and cultural opportunities are definitely in the urban area.’
Rinnooy Kan thinks that the problem with many “new” cities is their sterility. “A city has to go through a clear development process. Visible decline is a part of that process. Reversing the decline often results in decline elsewhere. Development means perfection and imperfection rubbing shoulders. That is essential for a living city.”
Human interaction
He believes you can’t control and organise everything with urban planning. “But it is a good thing to set out your ambitions in a blueprint, even if it will not succeed in the end. Often, the problem with blueprints like this is that the scale is too large and that human interaction is eliminated as a result. And it is precisely this human dimension that is important. You can’t build a city from skyscrapers alone. You need something that people can embrace.”
Rinnooy Kan gives a number of examples of beautiful cities that cannot function. Brasilia, with its fantastic architecture, lacks the human dimension. Or take Canberra: a city that has been built as a capital but hasn’t come to life. And even Prague, which he thinks is one of the most beautiful cities he knows, left him feeling uncomfortable after a while. “Everything there is so neat and tidy, all the paintwork is perfect, you never see a dilapidated house or a street that is not up to standard, nothing is dirty or messy. It’s like walking around Disney World.”
Meticulous maintenance
Rinnooy Kan doesn’t expect the problems in the French suburbs to be repeated in the Netherlands. “In the Netherlands, we have always paid more attention to the human dimension of designing. And we are better at the upkeep of our built environment.” He quotes the policy in Amsterdam of removing graffiti as quickly as possible as an example. “By doing that, you tell people that we are devoting care and attention to our built environment and that we won’t let it go to the dogs. The challenge is to provide very meticulous maintenance, with attention to detail.”
The Randstad as an entity
Rinnooy Kan sees the Randstad as a single whole. “This is essential if we are to compete with London, Paris and New York. The potential of the Randstad is still not being exploited as it should. Improvements in the Randstad are not only required at the administrative level; there also needs to be a better idea for the Randstad as a whole. Something more exciting and better balanced.” His preference would be for a single Randstad province covering all the cities. “The multitude of intermediate layers we have at present, such as the Urban Regions, are a sign of our inability to organise on the right scale.”
Public and private investments
The city as a creative workshop
Alexander Rinnooy Kan was appointed chairman of the Social and Economic Council of the Netherlands on 1 August 2006. Before then, he was a member of the Board of Management of ING Bank. From 1991 to 1996, he was the chairman of the employers’ organisation VNO and, after the merger with the NCW, of VNO-NCW. Before becoming chairman of the VNO-NCW, he held a range of positions at various American and European universities. From 1986 to 1989, he was Rector Magnificus at the Erasmus University in Rotterdam.
Downloads / links
- ErasmusPC article on ReUrbA’s Statement for Strong Cities
- Danuta Hübner EU Commission Website
- View the compilation of quotes from the interviews on film
- View EU commissioner Danuta Huebner’s welcoming response to the Statement for Strong Cities on film



