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City & Culture
Books, Poets and Podcasts - Creating a new cityculture.

Books, Poets and Podcasts - Creating a new cityculture.

CityPoets Antwerp

A tower declaring its love by a poem to a cathedral. A text message book for and by the city. Beer mats with poems. The Antwerp method to effect people by culture in a very direct way. What is behind all this?

 

CityPoems

City of Books

Plantin Moretus - Museum Antwerp - Photo by PiairAntwerp is the City of Books: it is the cradle of the art of printing, and a literary metropolis. This city along the river Schelde houses countless important literary institutions, two Book Fairs, writers, the Permeke library and several literary manifestations and festivals.
The Plantin Moretus Museum and Publisher builds on 300 years of printing activity. There is a huge collection of antique books.

The Antwerp Book City Department

Michaël Vandebril is head of the Dienst Boekenstad (Book City Department) of the City of Antwerp. Antwerp is trying to build its profile and let the ‘Book City’ be more than an echo from the past. The Book City Department was installed to connect existing institutions and build a modern programme with the theme Books. A programme that is also meant for visitors and the image of the city, but foremost for Antwerp’s own citizens.

The Book City Department has a role between all the partners in books. They discuss, communicate, guide and organise. Their goal: to turn the ‘cook city’ Antwerp into a true ‘book city’.
Michaël Vandebril: “Perhaps I am the least expected person to get all of this started. I studied law, and somehow went from being a lawyer to this cultural world. A shift from an imposed order to a creative order. It happened working for a publisher, and then being asked as head of communication for the City Theatre. From that function, I got into contact with many people in the cultural sector, at the city too.”

Michaël Vandebril, head of the Antwerp Book City Department (during the ErasmusPC CityPoems Salon in 2006 in The Hague)

Coordinate The Literary Richness

“In 2002, after the elections, a new council programme was adopted. It said ‘we will coordinate the literary richness of Antwerp’. Nobody knew what it meant exactly. I was asked to get this idea started. The first step we took, is to start counting. There are more than 100 partners and organisations that do something related to books. We started visiting them and asked ‘what do you need, what is your mission and how can we support you’. In 2003, the Book City Department was started, with two tracks: to support and to brand.”
“The alderman gave us a huge chance in 2002. International recognition sped things up a lot. Strangely enough, the most important opposition against the programme came from the settled elite of the Book City. Not now anymore, though.”

World Book Capital

“The programme had barely started when it got a huge impuls by being appointed as World Book Capital in 2004.” World Book Capital is a title bestowed by UNESCO to a city in recognition of the quality of its programs to promote books and reading and the dedication of all players in the book industry. The title went to Madrid (2001), Alexandria (2002), New Delhi (2003), Antwerp (2004), Montreal (2005), Turin (2006), Bogotá (2007) and will go to Amsterdam in 2008.

“It gave Antwerp funding for its programme of no less than 2,5 million euros in 2004. It boosted several programmes such as the Festival of Words ‘Zuiderzinnen’, the Book Fairs, the implementation of cultural communication within the city, Book Containers (where people can drop their old books and take new ones for free). And it boosted the Antwerp CityPoet programme.”

CityPoems in all sizes in the Antwerp Public DomainCityPoems in all sizes in the Antwerp Public Domain

CityPoets

Venlo was the first city to appoint a CityPoet, 1993. In 2001, Dordrecht followed, and in 2002 Groningen. These cities inspired Antwerp to have their own CityPoet. In 2005, no less than 23 cities in The Netherlands and Belgium had appointed one. Michaël Vandebril: “An important difference in Antwerp is that the programme is rooted by the Dienst Boekenstad into a more structural approach, whereas other CityPoets tend to have a more occasional character.”

CityPoem by CityPoet Bart Moeyaert on the Antwerp Schelde RiverCityPoem by CityPoet Bart Moeyaert on the Antwerp Schelde River
CityPoem by CityPoet Bart Moeyaert on the Antwerp Schelde RiverCityPoem by CityPoet Bart Moeyaert on the Antwerp Schelde River
CityPoem Halverwege by CityPoet Bart Moeyaert, on the Antwerp Schelde River
 
“The idea is to give back the stories of the city through the eyes of an artist. People are grateful for it. The first CityPoet we appointed was Tom Lanoye. We appointed him for two years. Then followed Ramsey Nasr and since 2006 we have Bart Moeyaert. We managed to really organise it for the people, and not just for an elite. Bart Moeyaert signed his poster (with a CityPoem) for one hour and 500 elderly, mothers, just everyday citizens turned up. Ramsey Nasr (actor, director and writer) went and talked with the poor, for he wanted to know what it is like to live in the city with little money. He wrote a poem ‘Een Minimum’ using THEIR language.”

CityPoem Een Minimum by Ramsey Nasr
CityPoem Een Minimum by Ramsey Nasr

The poem was published large scale on the wall of the Social Services Building in Antwerp. Nasr: “During the opening and the days after, many poor watchers said they could not keep dry while reading the poem. According to themselves mainly because it contained their literal words.”

 

photo drhenkenstein
CityPoem Zoo by Ramsey Nasr, Photo: drhenkenstein

Freedom And Courage

“We leave the CityPoet a lot of freedom. The only formal task he gets is to write at least 6 CityPoems a year, poems that have a relation with the city or city life. It can be something small he experienced himself, the opening of a building, something that happened in the city. The City council would use those poems for promotional activities. Tom Lanoye preferred to call himself the ‘the external drawer of the City’ (externe stadsopsteller). Bart Moeyaert wrote about personal experiences, such as his first house in the city, but also about a murder. Tom Lanoye is perhaps more of the conscience of the city, he writes about the abominable state of the Vogeltjesmarkt (one of the central squares in Antwerp)."
“It takes a lot of courage for the City Administration. We give a single person a huge platform, and we cannot and will not control it.”

CityPoems intruding everywhere in Antwerp
CityPoems intruding everywhere in Antwerp

"The cathedral is answering, a tale of two towers”

A Tale of Tow TowersThis is the title of the eight city poem which Lanoye has made. In April 2003 Lanoye produced his love poem of the Boerentoren (the first skyscraper of Antwerp and for some time the tallest building of Europe) to the Antwerp Cathedral. Michaël: “The Boerentoren is in the hearts and minds of everyone in Antwerp, as an icon building next to the Cathedral. Do something with that, and it hits everyone in Antwerp.” In August 2004, the Cathedral pleased to respond to this love poem. She was flattered, but of course, for her, she said, the Boerentoren is just too young.

Antwerp icon Boerentoren declaring his love to the Cathedral, touching Antwerp's soul; a poem by Tom Lanoye >>

 

Beer Mats and PodCasts

“After we have the poem, we start thinking about how to bring it to the people. We use all sorts of means to reach as many as we can in the public domain. The leading thought is: the dumbest thing you can do is to make a booklet. So we have used walls of buildings, there was a poem on the icon building Boerentoren, we print poems on door hangers, bread bags, beer mats, we use projections. Posters of previously published poems decorate the Antwerp pubs, so there is hardly anyone in Antwerp who does not know there is a CityPoet. Linking the programme to CityPoet Podcasts, we make the poems available for even more people. The latter we started together with Stefan Kolgen and Ann Laenen of C.H.I.P.S. vzw.


500,000 beer mats with CityPoems30,000 door hangers with CityPoems
500,000 beer mats and 30,000 door hangers: innovative ways to give CityPoems to the public

“We gradually developed the system of selecting the CityPoet. We believe it is crucial to select on quality. Too much democracy leads to mediocrity, rather than quality. The first one, Tom Lanoye, we appointed ourselves. The second, Ramsey Nasr, was appointed by a semi-official committee. It caused a lot of controversy, Nasr being a Palestinian of Dutch origin, in a Flemish city housing an important Jewish community. People were angry. Until he wrote his first poem UtopiA, which had such an immense quality that the debate disappeared. Still, it lead us to select the third, Bart Moeyaert, by an official committee.”

Ramsey Nasr
Antwerp CityPoet Ramsey Nasr reciting his CityPoem UtopiA

Non-Traditional Approach

“We were a young team, and it was our deliberate choice to make it modern. Everyone gets to participate. We reacted to previous cultural festivals and programmes in the city that had been quite elitist. During Fashion 2002, young designers had no chance. Rubens 2004 was already different. This Belgium programme lead to an exhibition in the city of Rijssel (Lille), while Antwerp rather showed the daily life of Rubens, who lived in Antwerp in several periods in his life, in the city.”
“The alderman Eric Antonis was crucial too. As a politician, he created the space needed for a programme of this character. His advantage was that he sprang from a modern cultural background himself. For instance, he previously lead the modern theatre group Het Zuidelijk Toneel in Eindhoven for 12 years.”


Heen en Terug
'Back and Forth' in the Antwerp Central Station

Crisis

“Of course, you cannot understand these innovations without the background of the rise of the extreme right political party Vlaams Blok / Vlaams Belang, which became the largest party in Antwerp (but never reached a majority). It caused the others to become more conscious and more explicit in that Antwerp should be an open city, tolerant, innovative and diverse. It woke people up. The crisis caused by the elections was necessary to boost innovation.”


“And, although Vlaams Belang never got into power, it did boost huge impulses to the city, both culturally with programmes like ours, and physically. The administration decided they cannot neglect the city’s need for new development any longer. A new ring road was built. We got a new museum near the river. Nine neglected city districts got more attention. It is starting to pay off now. After the municipal elections of 2006, the Socialist Party (SPA), which delivered the mayor Pattrick Janssens, became the largest party. For the first time, Vlaams Belang was pushed back.”

“People in Antwerp complain a lot, but they are also ‘fier’ (proud) of their city. We see that in the reactions we get on the CityPoems. People thank us, and most of all the CityPoet.”



Antwerp, Photo: elbisreverri

The City Entity

“Nowadays we see CityPoems in many cities, but also CityPhilosophers (Almere, The Netherlands), CityRappers (also Almere), CityComposers (Zaanstad). It shows that the entity of the city is becoming increasingly important. The city has more and more freezones.”

More than ever, cities need to think their cultural position on the one hand and the connection their citizens feel on the other hand. The Antwerp approach answers both questions at once. Antwerp brands itself as Book City, with many initiatives and projects to support this brand. Those projects have been organised in such a way that they stimulate participation of residents and a sense of pride.

Poems in the public domain, also in unexpected places such as door hangers and beer mats, reach people that would otherwise not be reached by poems, and call for dialogue. They appeal to people being part of the city. Citizens are being challenged to contribute themselves to the culture of the city. A project such as CityChromosomes does not only contribute to a better sense of the urban environment, but it also creates a new part of the Antwerp Culture.

Very inspiring for other cities. The programme does not only deal with culture, but also with preserving and redefining the soul and character of the city.

How long can the programme go on? Michaël Vandebril: “As long as we have good poets. After all these years, we still feel talent, honesty, motivation, engagement, criticism and enthusiasm. If these are not there anymore, we will stop.”


Interview: 8 December 2006

Links and downloads:

 

Selection of Podcasts on Stadsdichterpodcast (in Dutch):

 

Video:



Antwerp CityPoem in the Schelde River

ErasmusPC Week of Antwerp

This publication is part of the ErasmusPC Antwerp Week, held from 26 March – 2 April 2007.